A passionate writer and community advocate with a knack for sparking meaningful dialogues on contemporary issues.
Upon being questioned about the most punk thing she's ever done, Cathy Loughead doesn't hesitate: “I took the stage with my neck broken in two places. Not able to move freely, so I bedazzled the brace instead. That show was incredible.”
Loughead belongs to a growing wave of women reinventing punk culture. While a new television drama spotlighting female punk airs this Sunday, it echoes a phenomenon already flourishing well beyond the TV.
This drive is most intense in Leicester, where a 2022 project – presently named the Riotous Collective – lit the fuse. Loughead was there from the beginning.
“In the early days, there were no all-women garage punk bands in the area. By the following year, there were seven. Today there are twenty – and growing,” she stated. “There are Riotous groups around the United Kingdom and internationally, from Finland to Australia, recording, playing shows, taking part in festivals.”
This boom isn't limited to Leicester. Across the UK, women are repossessing punk – and altering the environment of live music in the process.
“Numerous music spots around the United Kingdom doing well thanks to women punk bands,” she added. “The same goes for practice spaces, music education and guidance, recording facilities. The reason is women are filling these jobs now.”
They're also changing the crowd demographics. “Female-fronted groups are performing weekly. They draw more diverse audiences – people who view these spaces as secure, as belonging to them,” she remarked.
A program director, involved in music education, commented that the surge was predictable. “Ladies have been given a ideal of fairness. However, violence against women is at epidemic levels, the far right are using women to spread intolerance, and we're gaslit over issues like the menopause. Women are fighting back – by means of songs.”
A music venue advocate, from the Music Venue Trust, observes the trend transforming local music scenes. “There is a noticeable increase in broader punk communities and they're integrating with regional music systems, with local spots programming varied acts and building safer, more inviting environments.”
Soon, Leicester will stage the first Riot Fest, a multi-day celebration showcasing 25 women-led acts from the UK and Europe. Earlier this fall, Decolonise Fest in London honored punks of colour.
This movement is entering popular culture. One prominent duo are on their first headline UK tour. Another rising group's debut album, Who Let the Dogs Out, reached number sixteen in the UK charts recently.
A Welsh band were shortlisted for the a prestigious Welsh honor. Problem Patterns earned a local honor in 2024. A band from Hull Wench appeared at a major event at Reading Festival.
It's a movement originating from defiance. Within a sector still plagued by gender discrimination – where women-led groups remain lacking presence and music spots are shutting down rapidly – women-led punk groups are establishing something bold: a platform.
At 79, one participant is proof that punk has no expiration date. From Oxford washboard player in horMones punk band picked up her instrument only recently.
“At my age, all constraints are gone and I can follow my passions,” she declared. Her latest composition contains the lines: “So yell, ‘Who cares’/ Now is my chance!/ I own the stage!/ At seventy-nine / And in my fucking prime.”
“I appreciate this influx of elder punk ladies,” she remarked. “I didn't get to rebel when I was younger, so I'm rebelling currently. It's fantastic.”
A band member from her group also noted she couldn't to rebel as a teenager. “It has been significant to release these feelings at this point in life.”
Another artist, who has toured globally with various bands, also sees it as catharsis. “It's about exorcising frustration: going unnoticed as a parent, as an older woman.”
Similar feelings motivated Dina Gajjar to create her band. “Being on stage is a release you didn't know you needed. Girls are taught to be compliant. Punk isn't. It's raucous, it's flawed. This implies, when bad things happen, I think: ‘I can compose a track about it!’”
However, Abi Masih, a percussionist, stated the female punk is all women: “We are simply regular, career-oriented, brilliant women who love breaking molds,” she commented.
A band member, of the act She-Bite, shared the sentiment. “Ladies pioneered punk. We had to smash things up to get noticed. This persists today! That rebellious spirit is in us – it appears primal, primal. We are incredible!” she exclaimed.
Some acts fits the stereotype. Two musicians, involved in a band, strive to be unpredictable.
“We avoid discussing age-related topics or use profanity often,” noted Julie. O'Malley cut in: “Actually, we include a brief explosive section in every song.” Julie chuckled: “You're right. However, we prefer variety. Our last track was on the topic of underwear irritation.”
A passionate writer and community advocate with a knack for sparking meaningful dialogues on contemporary issues.